Help others learn more about this product by uploading a video! To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. 1 piano sonata in 1947-48. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzes reviews to verify trustworthiness. HENRI DUTILLEUX: The Shadows of Time for 3 Children's Voices and Orchestra Drawing on Ludovic Morlot’s personal relationship with the great French composer, this disc opens with a virtuosic and sensuous performance of Symphony No. The Shadows of Time is a somber meditation on loss. Memoire des ombres (Memory of Shadows) by Seattle Symphony - Topic. There are several cadenza-like passages in this five-movement work, all of which are truly amazing in their beauty and virtuosity, but again, it's really the ingenious use of the orchestra to color, punctuate, highlight and occasionally juxtapose the solo cello line that makes this piece so impressive.Ludovic Morlot first met Henri Dutilleux in Boston in 2001 while the Boston Symphony was rehearsing The Shadows of Time (a work they commissioned). Our payment security system encrypts your information during transmission. These new releases by the Seattle Symphony under Maestro Morlot are excellent. , ce disque entièrement consacré au récemment disparu (le 22 mai 2013), mais toujours aussi fêté Henri Dutilleux. 1916), the elder statesman of French music today: The Shadows of Time (1997 -- 20'48) This is the superb original recording by the Boston Symphony Orchestra, led by Seiji Ozawa, from March 1998. Miroirs 1.9 Tout Un Monde Lointain: V. Hymne 1.10 The Shadows of Time: I. Les Heures 1.11 The Shadows of Time: II. Dutilleux later wrote Mystère de l'Instant (for cymbalum, string orchestra and percussions, 1989), Les Citations (for oboe, harpsichord, double bass and percussion, 1991), The Shadows of Time (for orchestra and children voices, 1997), Slava's Fanfare (for Mstislav Rostropovich 's 70 th birthday, 1997) and Sur le Même Accord (for violin and orchestra, 2002 - dedicated to Anne-Sophie Mutter). Dutilleux himself actually said that Phillips, "fully owns this work and evokes the very essence of its title." Oui, sauf que : si Ravel est toujours un des compositeurs les plus joués aux Etats-Unis, qui pense à Louis Langrée, directeur de l’orchestre de Cincinnati et très applaudi à New York où il s’occupe du festival Mostly Mozart ? Dutilleux: Symphony no 1, Tout un Monde Lointain, The Shadows of Time / Phillips, Morlot Dutilleux Release Date: 04/29/2014 Label: Seattle Symphony Catalog #: 1001 Spars Code: n/a Composer: Henri Dutilleux Performer: Xavier Phillips, Andrew Torgelson, Kepler Swanson, Benjamin Richardson Metaboles - Violin Concerto L'arbre Des Songes. La troisième et dernière œuvre au programme est The shadows of Time (1995-97), une œuvre où les « ombres » sont celles de la seconde Guerre mondiale et où les voix d’enfants sont celles des enfants juifs exterminés (« Pourquoi nous ? Listen to free internet radio, sports, music, news, talk and podcasts. ¿Hablas español? Dutilleux’s music often presents a sensuousness of texture – a colorful garden of sounds so delicately cultivated that he often brings to mind a latter-day Ravel. Top subscription boxes – right to your door, © 1996-2020, Amazon.com, Inc. or its affiliates. Great recording--except zero CD or track information, Reviewed in the United States on April 29, 2014. The need for consolation is urgent, as signaled by the solo trumpet’s and trombone’s attempts to take lyrical flight. Reviewed in the United States on May 19, 2014. Among his other works, The Shadows of Time from 1997 commemorated victims of concentration camps. We work hard to protect your security and privacy. Henri Dutilleux: The Shadows of Time, for 3 children's voices and orchestra - Play streams in full or download MP3 from Classical Archives (classicalarchives.com), the largest and best organized classical music site on the web. All Rights Reserved. There was an error retrieving your Wish Lists. 1; Tout Un Monde Lointain; The Shadows of Time - Xavier Phillips, Ludovic Morlot, Seattle Symphony Orchestra on AllMusic - 2014 - The orchestral music of Henri Dutilleux is noted… And for all we know, this sound is exactly what the prescient composer had in mind in 1910-13 when he previewed the mad 20th century with these ballets. “Evil Ariel” pits flickering divided strings against spiraling constellations in the winds for a scherzo of malignant energy, of which Ariel – a deformation of the serviceable spirit from Shakespeare’s The Tempest or one of Milton’s named demons – seems to be a herald. Dutilleux calls this central episode the “heart” of the score, on which is written “to Anne Frank and all the children, innocents of the world (1945-1995).” He recounts a stroke of inspiration when he was searching for a “special color in the instrumentation” to contrast with the brass and wind timbres dominating the beginning and heard “some voices coming from a nursery school close to my studio.” The score specifies only “three voices of a child” – singing alternately in solo and together. item 3 Henri Dutilleux : Symphonie No. This meetup produced one of the best SSO performances I've heard in 20+ years of concerts...and hey, I was already a fan. These thickly clotted lines of descent recur at several crisis points. Find many great new & used options and get the best deals for Dutilleux: Symphony No. This WEA/Elatus disc brings together three excellent recordings of orchestral works by Henri Dutilleux (b. The Seattle Symphony intends to record the complete orchestral works of Dutilleux on their new label and they begin here with his Symphony No. Yet they are false starts, and the unforgiving clockwork of the percussion returns, though in more sublimated form, as the entire orchestra tapers out on a repeated C-sharp. The Shadows of Time: III. Dutilleux: Symphony No. 1, The Shadows of Time, and Tout un monde lointain ("A Whole Distant World"), which despite the name is a cello concerto by any conceivable definition.Dutilleux's first symphony is among his earliest works, written in 1951 when he was only in his mid-thirties. The composer reportedly tosses out a large amount of material in an attempt to mold as perfectly as he can the modest number of works he has published throughout a lengthy career. Memoire Des Ombres 1.13 The Shadows of Time: Interlude 1.14 The Shadows of Time: IV. ', Lots of things have been going right for the Seattle Symphony lately. Free shipping for many products! Mood shifts dramatically as the piccolo intones a solo against deceptively childlike timbres from glockenspiel and vibraphone, leading directly into “Memory of Shadows.”. He renounced most of the works he composed before it because he did not believe them to be representative of his mature standards, considering many of them to be too derivative to have merit. Your belief in the power of music to heal and transform makes our work possible. Ariel Malefique 1.12 The Shadows of Time: III. Reviewed in the United States on November 16, 2014. 1 is an early work and the composer's first piece for orchestra. Houles 1.8 Tout Un Monde Lointain: IV. Eventually the music sinks into the nether regions of the orchestra. The trigger to the composition was ticked off in 1995, on the half-century anniversary of the end of WWII and the discovery of the deportation by the Nazis to concentration camps of an entire orphanage of Jewish children. --Steve Smith, New York Times, May 2014. 22 January 1916, Angers – d. 22 May 2013, Paris). The melody suggests a Near Eastern modality mixed with the spirit of Gregorian chant. Although only 21 minutes long, the entire piece exudes a concentrated power belying its length, rather like dream time’s ability to subvert the clock’s rational measurement. The catalyst was the half-century anniversary of the end of World War II in 1995 and of the discovery of Anne Frank’s diary, and specifically a memory: the deportation by the Nazis to concentration camps of an entire orphanage of Jewish children. Play Your Part, support the LA Phil. After viewing product detail pages, look here to find an easy way to navigate back to pages you are interested in. The forte's of The Rite of Spring could only be described as a Seattle punk/grunge reading of the score, where the acoustic properties of Benaroya were put to the test, as if the symphony were one massive Fender Strat. The touching directness here contrasts with the menacing moods elsewhere in the score. Written in 1997 The Shadows of Time is a somber meditation on loss. For details on how we use cookies, see our. Unable to add item to List. Visita nuestra página web en español. A Proustian preoccupation with the interplay of memory and time passing also recurs in several works. His 1st Symphony followed in 1951, so it can be considered a piece of his early maturity. The 31-year old Henri Dutilleux renounced all of his music written before his Op. Stream live events, live play-by-play NFL, MLB, NHL, college football, NCAA basketball, and Premier League matches. , que de trouver la beauté de la ligne, la plénitude sonore et la caractérisation à peu près idéales avec Xavier Phillips (et parfaitement restituées qui plus est). 2, , ni bien sûr ceux de Rostropovitch lui-même, le créateur, Dutilleux : Tout un monde lointain - Lutoslawski : Concerto pour violoncelle. Setting the work in motion (“Hours”) is a fatalistic fanfare of brass, punctuated by percussion and strings, tracing a downward fall. Please try again. The opening passacaglia movement captures all of this excitement as it progresses from barely audible string pizzicato to a massive swirling climax and then quickly fades off into the distance.Tout un monde lointain was written for Mstislav Rostropovich and performed here by the excellent French cellist, Xavier Phillips. 16 but also refers to the recognisably open-ended nature of Dutilleux’s composition. Find album reviews, stream songs, credits and award information for Dutilleux: Symphony No. Henri Dutilleux - Boston Symphony Orchestra, Seiji Ozawa ‎– The Shadows Of Time Label: Erato ‎– 3984-22830-2 Format: CD, Album Country: France Released: 1998 Genre: Classical. Orchestre saisi par l’extase (« Miroirs »), violoncelle qui met en valeur le contenu expressif sans pour autant tirer l’œuvre vers un faux concerto romantique : une version qui marque. © 2021 Los Angeles Philharmonic Association. Editors’ Notes In this collection of ominous and brilliant large-scale works, Ludovic Morlot and the dynamic Seattle Symphony Orchestra unravel the French composer’s meticulous orchestrations. A subtle discipline pervades the music of Henri Dutilleux. Dutilleux, celui qui fait se rejoindre climats baudelairiens et langue musicale héritée des musiques nocturnes du grand compositeur hongrois. The catalyst was the half-century anniversary of the end of World War II in 1995 and of the … Henri Dutilleux (1916-2013) was the outstanding French composer of recent decades, despite produced barely a dozen major compositions in a six-plus decade career. In Petrushka, the background woodwinds and strings maintained a texture and rhythm one would expect from Steve Reich tape loops, not early 20th century compositions. 1 - Tout un monde lointain - The Shadows of Time, an album by Henri Dutilleux, Xavier Phillips, Ludovic Morlot on Spotify We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes. He has an affinity for the Flemish artists of the Northern Renaissance, composing with a shared sense of proud craftsmanship. 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